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"Islamic architecture."
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Calligraphy and Architecture in the Muslim World
No detailed description available for \"Calligraphy and Architecture in the Muslim World\".
eBook
Islamic architecture on the move : motion and modernity
\"Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to manifestations of Islamic motifs in 1960s Hawaii, this richly illustrated volume raises key questions about Islamic architecture, and, more broadly, about how we can rethink our understanding of material, artistic, and cultural mobility in the modern world.\"--Back cover.
Book
Islamic Architecture Today and Tomorrow
Scholars and practitioners from the realm of 'Islamic architecture' consider its changing nature and continued significance. Reflective essays address the meaning of 'Islamic' in built environments, and the geographical, chronological, disciplinary diversity of a dynamic field of study encompassing far more than mosques and tombs. 118 b/w illus.
eBook
Spiritual Aesthetics of Islamic Ornamentation and the Aesthetic Value in Islamic Architecture
Islamic architecture, a form of Islamic art, contributes significantly to portraying God Almighty's supremacy. In Islamic art, there are numerous ways to place emphasis on this architecture; one of which is through high aesthetic value. In Islamic art and architecture, the greatest extent of ornamentation and motifs probably describe aesthetic values. Islamic ornamentation serves as a platform for delivering information about Islam's culture including Islamic values and identity. Additionally, the most distinguishing characteristic of Islamic ornamentation is the richness of meaning behind it, that might influence a person's perception of spiritual aesthetics. Therefore, this article explore what spiritual aesthetic means and how it relates to Islamic ornamentation. Furthermore, Islamic ornamentation should be considered a part of the interior of the Islamic architecture rather than just decorations added after the fact or to cover in gaps. Through the interplay of the people and interior space, these ornaments have the potential to engage with human aesthetics. Therefore, this research also focuses on the aesthetics and beauty of ornaments, which satisfy one of human psychological needs: to be in a beautiful environment. Because emphasis of the research is to explore how people perceive the aesthetics of Islamic ornamentation, a semiotics method was chosen because of its capacity to transcend literal meanings. The identification and evaluation of the aesthetic and religious qualities of the Islamic ornamentation brought out in this paper can be very helpful for the artists as well as scholars in understanding the Islamic art.
Keywords: Islamic Ornaments, Islamic Architecture, Aesthetic Value, Spiritual Aesthetics, Islamic Art, Architectural Ornaments
Journal Article
What Should They Do? Depictions of Ribāṭ and Murābiṭūn in Early Islamic Ifrīqiya
What was ribāṭ in early Islamic Ifrīqiya and what was its primary function? The answer often differs depending on the sources that are used, and whether they focus on the building or the institution more generally. Rather than approaching the question through either of these aspects, this study will consider the expectations, reflected in textual sources, about the behavior of the murābiṭūn, or the men who inhabited them. Analyzing expectations about the character of the murābiṭūn and the activities carried out in the ribāṭ offers an insight into how the writer of the text viewed the institution, including its function and significance in early Islamic society. By comparing the expectations reflected in various texts, it is also possible to recognize different views of the ribāṭ building and institution and to relate these to the historical context or the perspective of the writer. The analysis in this study will focus on the ribāṭ in the Ifrīqiyan tradition but will relate some of the developments to the significance of the institution in the wider Islamic Empire and its intellectual tradition.
Journal Article
Semiology of Art and Mysticism in Persian Architecture According to Rumi’s Mystical Opinions (Case Study: Sheikh Lotf-Allah Mosque, Iran)
A glimpse of the history of Islamic art indicates that Sufism and mysticism have long been among the most important intellectual and spiritual currents influencing Persian art and architecture. Accordingly, re-reading the symbolic concepts as well as the mystical and spiritual semiotics and seeking their reflection in the body of architecture is an obligatory instruction that should be considered in the process of architectural design. In this research, the authors endeavor to investigate the semiology in the physical elements of Sheikh Lotf-Allah Mosque in Isfahan and its relationship with Rumi’s mysticism using inferential–analytical methods and based on library studies and empirical observations. This research found that the Sheikh Lotf-Allah Mosque was constructed according to the mystical opinions of Rumi in order to demonstrate the semantic values of different levels of the universe in its physical form, structure and configuration. According to the findings, the use of Rumi’s mysticism propagates a God-centered semantic spirit to the body of Persian architectural elements, which always reminds human beings of their true home, which is the heavenly world. According to Rumi, the nature of architecture is beyond the material, and it is God-centered contemplation that turns the architecture into magnificent buildings.
Journal Article